Moderately excessive bustline, gathered neckline, short or elbow size sleeves, train. Hair dressed “Greek fashion” towards the back of the top. Light fabric, full, high-waisted skirt often cut as one with the bodice, elbow size sleeves (full size for day put on), rounded bosom stuffed in with a large handkerchief.
By specializing in the details we will see both the evolution of fashion for this period and how finest to re-create it. What is the cut of the bodice, the sleeve length, or the height of the bustline? How full is the skirt, and where is that fullness?
It is cut as one piece with the skirt and gathered. Neckline broadens, often sq., puff sleeves, bodice sometimes gathered, generally trimmed, and bustline even larger. In the years just on both side of 1810 there may be often a robust vertical element like embroidery on the entrance heart skirt. Hair dressed shut to move however with curls and twists on prime of head and to sides of face. Turbans, toques, and bandeau are additionally worn in evenings.
Also note that as the armhole is reduce much nearer to the middle back than a contemporary armhole the sleeves must accommodate that. This silk gown reveals the longer, much less full sleeve. The bustline is excessive and the waistline is only very slightly lower in the again. The skirt is very full, with the fullness being distributed evenly across the waistline. This robe with a crossover neckline, in addition to other robes of this period, feature a bodice that’s low, round, and crammed in with a handkerchief.
It shall be taken to extremes in the extensive-shouldered robes of the late 1820s and 30s. With the transition to the new, lightweight robes, sleeves began to shorten. Long sleeves were still in use for daywear, however sleeves for evening put on were usually shorter. During the early section, sleeves have been straight, set into the armhole with little or no gathering. As puff sleeves replaced straight sleeves, the gathering was still concentrated on the again, significantly in English robes.